I took my Kiev Alpha 16 down to the Thames one evening last week to get some test shots. Unfortunately the camera jammed again. However, this time the fault happened some way into the session, after I'd shot about 40 feet or so of film.
Tonight I DIY developed the film. The Film is Kodak 2210 (Black and White negative 'Surveillance ' Film). I processed the film in my home-made spiral processing tank using Ilford ID11 developer.
I could see during the film washing that I had some images on the negative, but these seemed especially 'thin'. I think this is general under-exposure, not too surprising for these night-time shots.
I put the film strip onto my light box and took a few stills.
I'm always happy to see some kind of image for all this effort, but I'm pretty disappointed by the results here.
The focus is pretty awful, and there's probably a light leak here too. I think the focus problems are down to the dodgy eye-piece which moves about freely, making focus monitoring highly unreliable. I was hoping to be blown away by the 16mm frames (after working with so much Super 8) but this didn't really happen tonight.
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The negative 16mm film as developed. |
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Digitally inverted to become a positive image. |
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Now desaturated to become proper monochrome. |
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More riverside architecture. |
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The London assembly building. |
So in summary, I've tested out a 'new' camera and an unfamiliar film stock.The results and handling of the camera are somewhat disappointing, but on the other hand, this film works and can be home-processed. I've got a couple more of these 100 foot rolls left, so I'm encouraged to use this type of film again: but the camera... not so much.
I think I might keep an eye out for another 16mm film camera, maybe something Swiss next time.