New 16mm film : Constantine Bay Home Movie

Here's some 16mm cine film I shot and DIY processed around five years ago. I then lost the roll of film and have only just found it again!

Meanwhile, I've been playing around with DIY film scanning methods again and have hacked-together a system for digitizing 16mm film frames too.

So this video above may look like a grainy and blotchy home movie ... it is ... but ... I built my own spiral tank to process this, developed it at home in coffee, then digitized the footage using a home made film scanner. DIY film-making doesn't get much more DIY than this,

The old DIY super8 film scanner project rides again !

Well I've been at home this last month and sorting through a lot of old things. High on a shelf in my studio I found a plastic box with my abandoned cine film digitizing project inside; so I dusted it off a bit and decided to see if I could get it running again.

Amazingly it DOES seem to be working!

I documented this project a bit back in the day. I stopped working on all this cine film stuff around 2014 when I had more pressing work/life commitments to attend to.

So not only have I now got it up and runnig again, but I've even made some small improvements! I've got the device working now with my newer Panasonic GH4 camera rather than the Canon 600D DSLR I was using before. I figure that the smaller micro 4/3 sensor is better for this application requiring less extreme macro magnification than the larger APSC sensor needed. Also the GH4 has an 'electronic shutter' mode which should be a lot more durable than the all-mechanical shutter on the Canon DSLR.

The electronic triggering circuit of my device needed a slight modification to trigger the shutter of the GH4. But I got it working after some web searching and a few hours of further tinkering.

So to show the world the current status of this project I've made this short video...

The Secret Nuclear Bunker (First Visit)

A couple of weeks ago I spent a day underground at the 'Secret Nuclear Bunker' at Kelvedon Hatch in Essex. It's a special, if rather eerie place; very evocative of the Cold War era.

I took my Nizo super8 camera, a tripod and a couple of small LED video lights and shot one cartridge of the Argenti B&W negative film down there. I found plenty of interesting things to shoot, but unfortunately encountered a jam on the second cartridge I tried to use that day. Although I was in there for four to five hours, I just ran out of time!

Anyway, this week I processed the first film cartridge (standard B&W Ilford ID11 processing) in my DIY spiral processing tank.

I then re-photographed some of the tiny 8mm film frames with my DSLR camera to get some still images like these...

Tonight I'm scanning the first 50 feet of Super 8 film frame by frame using my DIY super8 film digitizer. As I write this, the system is clicking away.

The current version of this device uses 4 stepper motors and some 3D printed sprocket wheels to drive the film and manage the feed and take-up spools. The motors are controlled by an Arduino micro-controller card and a DIY 'breadboard' circuit. The Arduino has been programmed to advance the film, trigger the Canon DSLR camera to shoot a frame, then wait a short while for the frame to be saved before repeating the process. I'm pleased to say I've finally got this capturing process automated, but it does take around three seconds to capture each frame of the cine film. If you 'do the math', that's almost four hours to scan a whole 50 feet (around 3 minutes) of film.

This process is very slow but does give very high-res images of the Super8 frames. The registration isn't perfect, but close enough to be fixed in post production using the After Effects stabilizer. Needless to say, this part of the process is very slow and tedious too.

I hope to get back to the bunker soon to shoot more footage there. Now that I've visited the place once, I'm getting a much better sense of the place and ideas for the kind of shots I'd like to come back with.

Another DIY film scanner

For anybody interested in the film scanning/digitizing aspects of my Cable Car Super8 film, here's a little sneaky peek behind the scenes...

Yes, this really is my home-made 8mm film scanner project in all it's current glory.

There are two 20 tooth sprocket wheels which drive the film along (each one has a stepper motor underneath) and a third stepper to turn the take-up spool. All the stepper motors are running together under control of the Stepper Bee card. The machine vision camera you see is the Sumix 150M.

The light source is 10 rectangular white LEDS with a small piece of opal glass diffuser in front of them.

The 2 sprocket wheels, the 4 pulley wheels, and the film gate are all pieces I've designed in 123D Design and had 3D printed at Shapeways.com.

The camera sits on a Manfrotto plate and there are crude wooden guides for sliding the camera backwards and forward and sliding the main deck from side to side. I pack layers of card under the deck to achieve the correct height. So this is not exactly precision engineering...

Although I've been fooling around with this for quite a long time now, there's still a long way for this to go... Did I mention there is no automation of the scanning yet and that the camera only captures in monochrome? The registration is not great either, but I'm using the Stabilizer in After Effects and getting passable results that way.

I've ordered some more bits from Shapeways so no doubt I will soon be tearing this one apart and starting again...

Wall of Death : Super8 film DIY processed/digitized

Here's a little experimental film. Super 8 cine footage of the Ken Fox Wall of Death Troupe doing their death-defying thing in Enfield in May 2013.

I shot black and white negative film because I wanted to try some home processing. This film was developed in short lengths using Caffenol C-M developer.

The film was digitized in various ways, partly with a flatbed scanner, but mostly using a DSLR camera and macro optics to re-photograph the tiny frames. Some of the film was advanced by hand under the camera, and some strips were moved using a stepper motor/sprocket wheel mechanism I've been working on.

More Adventures in CAD

For the last few weeks, I've been getting to grips with a trial version of Geomagic Design (formerly known as Alibre).

This is a CAD package that goes a lot further than the free Autodesk 123D Design I've been using previously. The main advantage seems to be the parametric structure to the programme which allows each part to have a complete history of non-destructive changes. Parts are initially designed separately, then brought  together to create an assembly. There are lots of alignment and constraint tools available to do this to a high degree of accuracy.
 
My plan is to at least learn at least enough CAD to be able to draft my projects and have them 3D printed from time to time. Here we see a plan for a very simple (and probably somewhat naive) device to help me digitize 8mm movie film. I've been messing about with something like this made of card and foamboard, so getting it made in plastic ought to be something of an improvement.
 

Geomagic DesignCAD drawing of assembly. Motor, sprocket, film channel and film strip combined.

So it's a stepper motor with a sprocket wheel attached and a film channel to guide the film through. Maybe not rocket science, but it's a mechanism and will need to be made with some precision if it's to work in any way at all. One day I'd like to 3D print this at home, but in the meantime, it's off to Shapeways.com with my .stl files again... 

CAD drawing of 25 tooth sprocket wheel to fit on motor shaft.

CAD drawing of film channel (guides the film by its edges) and housing for motor.

My First 3D Print Job

Well, there it is! This evening I designed this small sprocket wheel in Autodesk 123D Design, a free and very basic solid modelling application, available here.

Why did I choose to make this for my first foray into the future of manufacturing? Well, it's small, simple and if it works could become a little cog (quite literally) in my ongoing DIY film scanning endeavour. That's if it comes back and engages the film properly. I've referenced the SMPTE super 8 dimensions, so I've got to hope it will. I'm keen to see if this method of design/manufacture will enable me to make the small pieces for this project with anything like the required precision.

I've sent this off to Shapeways.com who knows what I'll get back in 10 days time, stay posted...

My First Muller Scans: Super 8 Looking Great!

It's always an exciting day getting super8 footage back through the post, and today is one such day... I've had another reel of cine film processed and then telecined for my ongoing Enfield: My Kinda Town project.

 

I sent this roll to a different transfer facility this time, I wanted to try out the Muller HM73  film-scanner, so sent this film (and a 16GB USB stick) over to 18frames in Bielefeld, Germany.

The service was very fast, they turned this around within a day, it's just the UK/Germany postage that takes time (around 4-5 days each way). They put a 15GB avi file onto my memory stick, a lovely 1440x1080 sized image with the correct 1.333 pixel aspect ratio for my anamorphic footage. So I effectively get back my super 8 reel and a 1920x1080 16x9 file to work with. Kudos to Frank for getting these settings right, because anamorphic super8 footage is a fairly unusual format to be dealing with.

I have to say I am hugely impressed by the quality of the work, especially as this is a reasonably priced service. I'll definitely be sending a few more films this way in the future; maybe even getting a few re-scans of earlier films by way of comparison.

I've been sending my last few films off to Sweden to Uppsala Bildteknik for scanning on the FlashScan HD machine, from that system I was getting a 1024x720 4x3 scan, pillarboxed within a 1280x720 image size.

The new scans from the Muller machine are obviously clearer and higher resolution; the files seem  to be hardly compressed too. When ordering the telecine from 18Frames, I opted for their '2k look'; quite a heavily post-processed image which is highly-stabilized and sharpened to look more like larger film formats. For this project, I'm not looking for a wobbly grainy 'home movie' image, I'm trying to make my images look like a glossy cinema travel documentary or a commercial from the 1970s, and these would typically have been shot on 35mm film.

The thing is... the first couple of reels I had scanned for this project now have a very different quality to this new one, leading to the costly possibility of getting a couple of those earlier reels scanned again.

I'm not showing any moving footage from this project just yet, but here are a few stills (from the new Muller-scanned footage) just to give an idea of the new look.

Another new film scanner!

Well it's not often that NEW equipment comes out for handling super8 and other small film formats. Imagine my surprise and delight upon discovering this... (NOTE: There is no sound on this video.)



The Müller HM73 Data Framescanner scans all film formats up to 16mm, using laser sprocket alignment, all-roller transport and saving images frame by frame to data in RAW format. I'd have one but for the small matter of €27,0000; but Christmas is coming soon readers ;)