New Music Video: Tot Taylor 'Featurette'

Well it's been bloomin' ages since my last blogfession; over a year it seems! I've been pretty busy in the meantime, scrabbling around making a living and not always making things I can write much about.

However...

Here's a music video I just made for musician, gallerist and novelist Tot Taylor. The track 'Featurette' is a somewhat autobiographical number, in which Tot addresses his teenage self circa 1973.

When I first met Tot a few months ago, he told me a story from his teenage years. Like me, (as it happens) he grew-up in Cambridge. As an aspiring pop star, Tot bunked-off school one day with his teenage bandmates and took the train down to London. Armed only with a demo cassette and an AtoZ street map, Tot's band tracked down all of the record companies they could and proceeded to 'knock on doors'. After many rejections Tot's crew ended-up at the offices of Island Records where miraculously they found a sympathetic ear... Amazingly, Tot and his band of schoolmates recorded a session for the legendary Island Records label. But then and there, the dream kind of hit the buffers. Cut to the present day and Tot decided to revive his song 'Featurette' and rework it as a wry 'message to his naive but ambitous teenage self'.

For such a story of retro pop ambition, I decided to make a film in the style of a naive 1970s era teenage film-maker. The animation is rough and wobbly and the live action footage is mostly shot on 8mm and 16mm cine film. Not such a leap as it turned out ;).

The old DIY super8 film scanner project rides again !

Well I've been at home this last month and sorting through a lot of old things. High on a shelf in my studio I found a plastic box with my abandoned cine film digitizing project inside; so I dusted it off a bit and decided to see if I could get it running again.

Amazingly it DOES seem to be working!

I documented this project a bit back in the day. I stopped working on all this cine film stuff around 2014 when I had more pressing work/life commitments to attend to.

So not only have I now got it up and runnig again, but I've even made some small improvements! I've got the device working now with my newer Panasonic GH4 camera rather than the Canon 600D DSLR I was using before. I figure that the smaller micro 4/3 sensor is better for this application requiring less extreme macro magnification than the larger APSC sensor needed. Also the GH4 has an 'electronic shutter' mode which should be a lot more durable than the all-mechanical shutter on the Canon DSLR.

The electronic triggering circuit of my device needed a slight modification to trigger the shutter of the GH4. But I got it working after some web searching and a few hours of further tinkering.

So to show the world the current status of this project I've made this short video...

My Footage at Glastonbury 2014

I was watching the BBC coverage of Glastonbury Festival yesterday and caught Lana Del Rey singing her monster breakthrough hit Video Games. Playing on the screen behind her as she sang was the promo video for the song. So I watched closely and yes, a few fleeting fragments of my footage were indeed shown to the festival-goers and broadcast to the nation too.

Here she is...

And here's 'the source' of a few of those clips; my 2008 short film California 08 all shot on Super 8 cine film.

The Secret Nuclear Bunker: New Short (Cine) Film

Finally! I've put together my short film about The Secret Nuclear Bunker.

Followers of this blog will remember that I've made a couple of visits to this site to film with one of my 'old school' cine cameras. In this case the film was shot entirely on a Nizo 156XL Super 8; a fine German movie camera from the mid-1970s. Like most of my other recent Super 8 films, I shot with the Panasonic LA7200 Anamorphic lense adaptor to get a 16x9 format image.

As with my last couple of short films, this was shot on Black & White Argenti APX100 negative film, then developed at home in my home-made spiral processing tank. I shot three Super 8 cartridges to make this film, the first two were processed in traditional Ilford ID11 developer, the third roll in home-made Caffenol C-M developer.

The film was digitized frame by frame using my home-made film scanner. This device advances the film and captures each frame using a Canon 600D DSLR camera. The device is controlled by an Arduino card and some home-made circuitry. This capturing process is very slow, but works!

One great advantage of home-digitizing the film this way, is that I can capture a much larger image area than the single film frame, so I like to make use of this feature to present the film frames within the composited image that you see in the film. I sometimes like to leave in the sprocket holes and frame edges to get a 'fim within a film' feel.

I love shooting and processing real film like this. In my 'day job' I'm usually making films digitally, but I'm hoping that there might be a place for some of this analogue magic in some of my more commercial projects too.

'Cable Car' in Sony Production Awards 2014 Competition

The Sony Production Awards is a competition is open to short films made with any camera. I'm guessing there wont be many other entries shot on Super8 film. My film 'Cable Car' is on there now. If you click on this movie and watch it here, your click and maybe even your vote will be very welcome.

The Secret Nuclear Bunker (First Visit)

A couple of weeks ago I spent a day underground at the 'Secret Nuclear Bunker' at Kelvedon Hatch in Essex. It's a special, if rather eerie place; very evocative of the Cold War era.

I took my Nizo super8 camera, a tripod and a couple of small LED video lights and shot one cartridge of the Argenti B&W negative film down there. I found plenty of interesting things to shoot, but unfortunately encountered a jam on the second cartridge I tried to use that day. Although I was in there for four to five hours, I just ran out of time!

Anyway, this week I processed the first film cartridge (standard B&W Ilford ID11 processing) in my DIY spiral processing tank.

I then re-photographed some of the tiny 8mm film frames with my DSLR camera to get some still images like these...

Tonight I'm scanning the first 50 feet of Super 8 film frame by frame using my DIY super8 film digitizer. As I write this, the system is clicking away.

The current version of this device uses 4 stepper motors and some 3D printed sprocket wheels to drive the film and manage the feed and take-up spools. The motors are controlled by an Arduino micro-controller card and a DIY 'breadboard' circuit. The Arduino has been programmed to advance the film, trigger the Canon DSLR camera to shoot a frame, then wait a short while for the frame to be saved before repeating the process. I'm pleased to say I've finally got this capturing process automated, but it does take around three seconds to capture each frame of the cine film. If you 'do the math', that's almost four hours to scan a whole 50 feet (around 3 minutes) of film.

This process is very slow but does give very high-res images of the Super8 frames. The registration isn't perfect, but close enough to be fixed in post production using the After Effects stabilizer. Needless to say, this part of the process is very slow and tedious too.

I hope to get back to the bunker soon to shoot more footage there. Now that I've visited the place once, I'm getting a much better sense of the place and ideas for the kind of shots I'd like to come back with.

Another DIY film scanner

For anybody interested in the film scanning/digitizing aspects of my Cable Car Super8 film, here's a little sneaky peek behind the scenes...

Yes, this really is my home-made 8mm film scanner project in all it's current glory.

There are two 20 tooth sprocket wheels which drive the film along (each one has a stepper motor underneath) and a third stepper to turn the take-up spool. All the stepper motors are running together under control of the Stepper Bee card. The machine vision camera you see is the Sumix 150M.

The light source is 10 rectangular white LEDS with a small piece of opal glass diffuser in front of them.

The 2 sprocket wheels, the 4 pulley wheels, and the film gate are all pieces I've designed in 123D Design and had 3D printed at Shapeways.com.

The camera sits on a Manfrotto plate and there are crude wooden guides for sliding the camera backwards and forward and sliding the main deck from side to side. I pack layers of card under the deck to achieve the correct height. So this is not exactly precision engineering...

Although I've been fooling around with this for quite a long time now, there's still a long way for this to go... Did I mention there is no automation of the scanning yet and that the camera only captures in monochrome? The registration is not great either, but I'm using the Stabilizer in After Effects and getting passable results that way.

I've ordered some more bits from Shapeways so no doubt I will soon be tearing this one apart and starting again...

Cable Car : A new super8 film

Cable Car : super8 film, DIY processed & digitized from Chris Gavin on Vimeo.

Well here's my latest short cine film. It's very much DIY movie-making this one; shot on Black & White negative super8 film, developed in my home-made spiral processing tank and DIY digitized (using a home-made contraption) too. I hope soon to write a bit more about this.

My First Muller Scans: Super 8 Looking Great!

It's always an exciting day getting super8 footage back through the post, and today is one such day... I've had another reel of cine film processed and then telecined for my ongoing Enfield: My Kinda Town project.

 

I sent this roll to a different transfer facility this time, I wanted to try out the Muller HM73  film-scanner, so sent this film (and a 16GB USB stick) over to 18frames in Bielefeld, Germany.

The service was very fast, they turned this around within a day, it's just the UK/Germany postage that takes time (around 4-5 days each way). They put a 15GB avi file onto my memory stick, a lovely 1440x1080 sized image with the correct 1.333 pixel aspect ratio for my anamorphic footage. So I effectively get back my super 8 reel and a 1920x1080 16x9 file to work with. Kudos to Frank for getting these settings right, because anamorphic super8 footage is a fairly unusual format to be dealing with.

I have to say I am hugely impressed by the quality of the work, especially as this is a reasonably priced service. I'll definitely be sending a few more films this way in the future; maybe even getting a few re-scans of earlier films by way of comparison.

I've been sending my last few films off to Sweden to Uppsala Bildteknik for scanning on the FlashScan HD machine, from that system I was getting a 1024x720 4x3 scan, pillarboxed within a 1280x720 image size.

The new scans from the Muller machine are obviously clearer and higher resolution; the files seem  to be hardly compressed too. When ordering the telecine from 18Frames, I opted for their '2k look'; quite a heavily post-processed image which is highly-stabilized and sharpened to look more like larger film formats. For this project, I'm not looking for a wobbly grainy 'home movie' image, I'm trying to make my images look like a glossy cinema travel documentary or a commercial from the 1970s, and these would typically have been shot on 35mm film.

The thing is... the first couple of reels I had scanned for this project now have a very different quality to this new one, leading to the costly possibility of getting a couple of those earlier reels scanned again.

I'm not showing any moving footage from this project just yet, but here are a few stills (from the new Muller-scanned footage) just to give an idea of the new look.

Rockin' Out To The Soundcarriers

Well it's very rarely these days I hear some new music and think 'Just what is that sound, I gotta hear more...' . For your consideration I present The Soundcarriers.
(Super8 fans should also be pleased to see some wobbly small-format goodness thrown into this clip too.)

As the late Victor Kiam would have it, "I liked this so much I just bought the album.".

A man with a tripod in Enfield : my experiences

Over the last couple of months, I've been out shooting film around my home town of Enfield. I've been inspired by some old 1970s era travelogue films to make one about my home town too. To get the required retro look, I've been shooting on Kodak Super8 film with one of my old 1970s era Nizo cine cameras.

I thought I'd recount some of my experiences 'street filming' out and about amongst the general public. I've included a few stills taken from the first roll of super8 film too. For most of the shooting, I was setting up my cine camera on a tripod, so any idea of 'stealth' filming was out of the question. I decided to just get on with it and see what happened...






ENFIELD MARKET:
I was filming around Enfield market for a while. One of the traders was really helpful and interested when I filmed the dummies on his clothes stall. But one of the fruit and veg. traders wasn't so happy ; he told me I should have permission from the market manager before filming there. Enfield Market square is apparently run by a charitable trust and they set their own terms about filming on the property. Luckily I'd pretty much filmed what I needed and moved on.

FISH SHOP:
As a courtesy, I told the shopkeeper here what I was doing before filming the goods on display in his window from the pavement. He was fine about it.

ENFIELD CIVIC CENTRE:
On a weekend day I got all of the shots I needed of the exterior of the Council building no problem, the place was closed and nobody was around. I also wanted to shoot some panoramic views of the town from the top floor of the Civic Centre. One weekday morning I went in to the reception desk and asked permission there. I used the internal phone to talk to someone 'upstairs' and explain my project too them, they said they would consider my request and call back. I was called back the next day... unfortunately no permission could be given for any filming from within the Council building...

OXFAM SHOP:
I was filming the exterior of the shop from the pavement. A shopkeeper came out and asked what I was doing. I told him I was just filming the shop's 'We Love Enfield' sign;  he was fine about it. After this, a passer-by approached me and we had a nice chat about cameras and cine film etc.

ST. ANDREWS CHURCH:
I set my tripod up just inside the church grounds to take an exterior view of the church. A nice lady asked if I was doing this as 'coursework or something' I explained my motives and we had a pleasant chat about it. Then, an unkempt and suspicous gent came out and said 'You didn't film me did you..' , I hadn't, so I told him I hadn't; he went away. Then another gent came out while I was taking my shot. This turned out to be the church verger. He was quite cross with me and told me I needed the vicar's permission for filming... His biggest worry was that I might take a picture of the church that could 'end up on YouTube or something...'

LIBRARY:
I shot some exterior shots of the new library building, no problem. There is one interior shot I really would like to add to the film. I asked the librarians, and they in turn asked the library manager. The library manager said that I had to have permission from the Council's head of Library Services. I rang the Head of Library Services at the Civic Centre; she says permission can't be granted on grounds of needing permission from everyone in the shot before taking any pictures at the location. It looks unlikely that my film about Enfield will include any shots taken from within the new library building, though I will perhaps pursue this a little further...
+++UPDATE 16/12/11 I've just heard back from the Council's Head of Library Services and it suddenly looks much more likely that I can get the shot of the library interior too. Hurray : )


PALACE GARDENS SHOPPING CENTRE:
I took some exterior shots here, then ventured inside, this time using a monopod for extra speed! I did manage to take one shot here, but didn't feel too comforatable about rushing and working somewhat covertly. I have emailed the managers of the centre to ask permission to shoot from the car park, though not received any reply.

PALACE EXCHANGE SHOPPING CENTRE:
I was taking a monopod shot here when approached very quickly by a security guard. He told me no filming could take place on this 'private land', he offered that 'terrorism issues' were the main reason...
I think it highly likely now that my little Enfield film will not include any mention of the shopping centres at all. In a film about the nice aspects of Enfield Town, they seem to be especially un-welcoming places. It's my film, so I really don't feel inclined to give them any coverage..



So in conclusion, setting up a tripod and filming things in Enfield certainly attracts a lot of attention.  UK law is that in public space it's OK to do all of this, take pictures or film, use a tripod, whatever ... Also, members of the public do not have any legal rights to 'privacy' of their image when out and about in public spaces. The UK surely wouldn't be one of the most CCTV surveilled countries in the world if this were indeed the case : )

The problem is that much of the space around town isn't really 'public'. The council-owned spaces (which we pay for of course) are seemingly almost impossible to 'officially' film in. Apparently the main concern is to protect the privacy of anyone that might be photographed. Seemingly open public spaces like the market square and shopping centres, (although they invite our presence as paying customers) do not welcome photographers at all.

In short, I'm not entirely surprised, but a little disappointed at these experiences. +++UPDATE 16/12/11 But very heartened by the possibility of the library shooting :) +++ My film when it's finished will show the Town in a good light, but it certainly hasn't been made any easier so far by the folks that set and enforce the 'rules' around the place. In such a risk-averse society, there seem to be plenty of 'good' reasons not to allow a bloke with a tripod and a 1970's cine camera to wander around taking pictures.

Perhaps a strange man has been filming you in Enfield Town recently? If you have been affected by any issues raised in this post, please use the comments button below...

Another new film scanner!

Well it's not often that NEW equipment comes out for handling super8 and other small film formats. Imagine my surprise and delight upon discovering this... (NOTE: There is no sound on this video.)



The Müller HM73 Data Framescanner scans all film formats up to 16mm, using laser sprocket alignment, all-roller transport and saving images frame by frame to data in RAW format. I'd have one but for the small matter of €27,0000; but Christmas is coming soon readers ;)

New Film Old Camera

Well, these little yellow boxes on my desk can only mean one thing...



Yep, that's right, I'm scratching my 8mm itch again. Some weekends recently I've been out and about in Enfield shooting some proper cine film. I bought 3 rolls of this Kodak Ektachrome 100T film, and have shot almost 2 of them already.

I've been getting some funny looks from the locals whilst shooting... we don't get many tourists in Enfield, and even if we did, not many of them would be filming with a camera like this...



Yep, it's my 'new' Nizo 156XL, and the monstrosity stuck on the front is the Panasonic LA7200 Anamorphic lens adaptor. WHAT? Yes, I'm making my little film in Super8 16x9 format... exciting stuff.

The first finished roll has already been processed at Andec FilmTechnik lab in Germany and returned. (A round-trip of three weeks!) I've now sent that film over to Uppsala Bildteknik in Sweden for a Flashscan HD transfer. (I'll possibly blog a bit more about the logistics of all of this at a  later date.)

Who knows how the film will come out... Will it be jittery, will it be sharp, and for that matter will it be any damn good at all ???

8mm Early 90s : Super8 film ... YouTube Reloaded

Here's a collection of my old 'college days' super 8 footage from the early 1990s. I've re-uploaded it to my YouTube Channel, because the quality of this now is so much better than it was with 2008 YouTube compression and low resolution settings I used previously... I mean, it was THREE whole years ago I first put this online.

I've also now upgraded my music licence for the soundtrack I chose back in 2008 to edit this to. The music is called 'Secrets From The Screen' by Chris Harvey; I discovered/licenced this through Magnatune.com

Fans of this blog. (erm... consider yourself to be one of a very small and select group in this respect) might notice I've just added FaceBook 'like' buttons to these posts. Go ahead, I invite you to try them out... You might also spot the comment button too... that has always been there (where it says 0 comments); but granted, it is easily over-looked.