Out Shooting With the Canon C100

Vet Emily Billings, Simon Tofield and me (Chris Gavin) with the C100 camera. Photo by Emma Burch.

Last week I was out for the day shooting for Simon's Cat Ltd. The plan was to follow Simon's Cat creator Simon Tofield on a visit to the Cats Protection Headquarters in Sussex. The visit has been documented already on the official Simon's Cat website.

I travelled with Simon and producer Emma Burch by train to Haywards Heath, and we spent a good day being shown around the site and meeting the very dedicated staff there.

My role was to shoot documentary material there which will appear shortly as an online video. I knew we would need to be pretty nimble at the location and we would be shooting some interviews too, so I took along a rented Canon C100 camera and not too much other gear. I needed a very portable system for one-man shooting and capturing usable audio too.

This was my first time out with the C100 and I really enjoyed using it, especially compared to using DSLRs like my Canon 600D. We hired the C100, the 24-105/2.8L Canon zoom lens and a Senheiser lav radio mic kit from Cameraworks.

I ended up shooting everything with my Manfrotto 561BHDV-1 monopod. I find this one (with its tiny fold-out feet) gives pretty good stability while being quick to deploy and move around for this kind of rapid shot-getting. The Canon 24-105 zoom lens turned out to be a real time-saver too, so I never did use the tripod or three other lenses I brought with me 'just in case'.

The camera turned out to be a real star. It was possible to get good pictures under difficult indoors and subdued lighting conditions: having proper tools to monitor focus and audio whilst recording was such a joy too. I'll certainly be using one of these again soon.

Bratislava Bound

Last Friday I had a somewhat interesting day out! I was invited by Daniel Greaves (TANDEM films) to accompany him on a trip to Slovakia to record the score for his new short film Mr. Plastimime.

The Slovak Radio building in Bratislava

The Bratislava Radio building is an immense up-turned pyramid building of early '80s vintage. It's a daring futuristic design and I really love it. Inside, there are miles of gloomy 'widescreen' corridors with concrete panelling everywhere. The auditorium was especially impressive, with an immense pipe organ taking up the entire wall behind the stage.

Composer Mike MacLennan records the piano parts for his score for Mr. Plastimime

Dan was there to supervise the recording of his film's score as composed by Mike MacLennan (Mcasso music). Mike Connaris (composer and MD of Mcasso who wrote the closing song used in the film) also attended the session. The mighty Bratislava Symphony Orchestra was conducted by Musical Director David Hernando Rico.

The Bratislava Symphony Orchestra in full effect.

My role was to document the occasion and make another Behind The Scenes video; the seventh episode in the Making Mr.Plastimime series of videos I've been making over the last year or so.

The incredible musicians of the BSO at the recording session.

I wanted to travel light (Ryan Air cabin luggage only!) and be able to move around stealthily, so I took a small bag with my Canon 600D DSLR camera, 3 lenses (11-16mm wide zoom, 30mm and 50mm) , Rode Video Mic Pro microphone and a Tascam DR-07 mkII audio recorder. I also took a Manfrotto monopod, with a small pan/tilt head and some additional monopod legs too.

I'm editing the orchestra footage this week and I think this is going to be a good episode and quite a bit longer than the previous ones. I hope I will eventually be able to share this new film at a later date , but in the meantime here I'm sharing a few stills from the session. 

Most of the previous videos I've made in this series are now publicly available online on TANDEM's Vimeo page. Here are the first 6 episodes of the Making Mr. Plastimime series.

The Secret Nuclear Bunker (First Visit)

A couple of weeks ago I spent a day underground at the 'Secret Nuclear Bunker' at Kelvedon Hatch in Essex. It's a special, if rather eerie place; very evocative of the Cold War era.

I took my Nizo super8 camera, a tripod and a couple of small LED video lights and shot one cartridge of the Argenti B&W negative film down there. I found plenty of interesting things to shoot, but unfortunately encountered a jam on the second cartridge I tried to use that day. Although I was in there for four to five hours, I just ran out of time!

Anyway, this week I processed the first film cartridge (standard B&W Ilford ID11 processing) in my DIY spiral processing tank.

I then re-photographed some of the tiny 8mm film frames with my DSLR camera to get some still images like these...

Tonight I'm scanning the first 50 feet of Super 8 film frame by frame using my DIY super8 film digitizer. As I write this, the system is clicking away.

The current version of this device uses 4 stepper motors and some 3D printed sprocket wheels to drive the film and manage the feed and take-up spools. The motors are controlled by an Arduino micro-controller card and a DIY 'breadboard' circuit. The Arduino has been programmed to advance the film, trigger the Canon DSLR camera to shoot a frame, then wait a short while for the frame to be saved before repeating the process. I'm pleased to say I've finally got this capturing process automated, but it does take around three seconds to capture each frame of the cine film. If you 'do the math', that's almost four hours to scan a whole 50 feet (around 3 minutes) of film.

This process is very slow but does give very high-res images of the Super8 frames. The registration isn't perfect, but close enough to be fixed in post production using the After Effects stabilizer. Needless to say, this part of the process is very slow and tedious too.

I hope to get back to the bunker soon to shoot more footage there. Now that I've visited the place once, I'm getting a much better sense of the place and ideas for the kind of shots I'd like to come back with.

'Tango Dancers' film for Mr. Plastimime

Here's the fifth webisode of the Behind The Scenes series I've been shooting/editing at TANDEM in support of Daniel Greaves' Mr. Plastimime project.