Mr. Plastimime, London Screening at RADA.

Last night I was very happy to attend a special London screening of Daniel Greave's new short film Mr. Plastimime. Followers of this blog will know that over the last year or two I've been recording the production work of this film, 'Behind The Scenes' and releasing a series of Making Mr. Plastimime mini-documentaries.

Well Dan's film is finally finished and will be showing-up soon at numerous several international film and animation festivals.

As a big thank you to some of the backers of the film and many of the art-workers and crew involved, Dan and Producer Emma Burch organized a splendid screening event at the Royal Academy of Dramatic Arts auditorium in Bloomsbury. It was a great evening, with the film screening, a few words from Dan and even some impromptu mime performance too!

I took a few stills, hopefully just enough to capture some fleeting impressions of the momentous event.

An expectant crowd of crew and backers await the screening...

Mr. Plastimime director Daniel Greaves takes to the stage.

Heartfelt 'thank yous' from Dan to all those who helped out.

Animator Steve Edge, Compositor Danielle Baiardini and Daniel Greaves... in the bar.

Lead Animator Steve Edge celebrates.

The star of the show Mr. Plastimime himself on screen at the RADA auditorium.

Cinema Theatre Archive

Last week I made a special visit to the Cinema Theatre Association archive in Walthamstow. The CTA is dedicated to preserving and documenting Britain's Cinema architecture.

I've specifically been researching the old 1930 Carlton Cinema building in Islington; a huge 2400 seater with a very impressive Egyptian style façade. The archive certainly didn't disappoint, with folder upon folder of photographs, clippings, documents and posters etc. relating to this grand old picture house.

The archive holds an impressive (if slightly chaotic) photographic record of the cinema from its opening in the early 30's through to the Bingo Hall era of the 70s and 80's,

Amazingly, there's a plan chest containing the original architects plans of the building from the architecture office of George Coles. There were about 8 sheets, each around A0 in size showing plans, elevations and cross-sections of the building.

As part of my ongoing project, I'm considering making a 3D model of the cinema's façade: I can see these scale drawings being a pretty useful thing to have access to.


















As for the archive itself, it's a truly unique and fascinating resource,  the CTA is run on donations and entirely staffed by volunteers. The collection is housed on an industrial estate in unspectacular surroundings, and visits are by arrangement only.

  This place is fair-crammed to the rafters with bulging box files and cinema ephemera.

I'd especially like to thank CTA members Richard Gray and Rachael Marks who have both helped me a lot with my enquiries so far.