New Book Promo Video for Simon's Cat

Today is the launch of Simon Tofield's new cartoon book 'Off To The Vet.'
I shot and cut this promotional/interview video for Simon's Cat Ltd. and the publisher Canongate Books.

I've been working on quite a few more 'corporate' video projects over the last couple of months, but most of these are 'secret' things that can't be shared. It's nice that the video work I make for Simon's Cat at least gets a decent airing. I wish Simon and his team continuing success.

Out Shooting With the Canon C100

Vet Emily Billings, Simon Tofield and me (Chris Gavin) with the C100 camera. Photo by Emma Burch.

Last week I was out for the day shooting for Simon's Cat Ltd. The plan was to follow Simon's Cat creator Simon Tofield on a visit to the Cats Protection Headquarters in Sussex. The visit has been documented already on the official Simon's Cat website.

I travelled with Simon and producer Emma Burch by train to Haywards Heath, and we spent a good day being shown around the site and meeting the very dedicated staff there.

My role was to shoot documentary material there which will appear shortly as an online video. I knew we would need to be pretty nimble at the location and we would be shooting some interviews too, so I took along a rented Canon C100 camera and not too much other gear. I needed a very portable system for one-man shooting and capturing usable audio too.

This was my first time out with the C100 and I really enjoyed using it, especially compared to using DSLRs like my Canon 600D. We hired the C100, the 24-105/2.8L Canon zoom lens and a Senheiser lav radio mic kit from Cameraworks.

I ended up shooting everything with my Manfrotto 561BHDV-1 monopod. I find this one (with its tiny fold-out feet) gives pretty good stability while being quick to deploy and move around for this kind of rapid shot-getting. The Canon 24-105 zoom lens turned out to be a real time-saver too, so I never did use the tripod or three other lenses I brought with me 'just in case'.

The camera turned out to be a real star. It was possible to get good pictures under difficult indoors and subdued lighting conditions: having proper tools to monitor focus and audio whilst recording was such a joy too. I'll certainly be using one of these again soon.

New Documentary Film : Ottoman Art 1450-1600

Now online at the Hali Publishing website, here's the arts/history documentary film I have just made. This film was specially commissioned for an exhibition of fine Ottoman-era artifacts now taking place at The Palazzo Lomellino in Genoa. The film is in Italian with English subtitles.

Ottoman Art: new Arts/History Documentary Film

I'm especially pleased to have just delivered a new film to support a major exhibition of Ottoman-era artwork taking place at the Palazzo Lomellino in Genoa over the next three months. I was commissioned by Hali Publishing Ltd. (on behalf of the Bruschettini Foundation) to create the eight and a half minute film to introduce the exhibition at the prestigious gallery space in Genoa.



The film is an arts/history documentary piece taking viewers through the era 1450-1600, a time when the Ottoman empire rose to become the dominant power in Eastern Europe, the Middle East and North Africa.


The cultural artifacts on display in this exhibition are particularly impressive, encompassing  a stunning collection of silk textiles, ceramics, armour and of course, fine carpets.

The film combines still imagery of such artifacts, archival illustrations and motion graphics to tell the story of the growth of the Ottoman empire and the important role that fine arts and crafts played in this era.



The script for the film was written by renowned US scholar Walter B. Denny and for this exhibition the story is narrated in Italian with English sub-titles. Currently the film is not available online, but I can thoroughly recommend a trip to Genoa to see it, here are the exhibition details.

'The Score' film for Mr. Plastimime

This Behind the Scenes film shows the recording session of the musical score for the new film by Daniel Greaves. This is the seventh short video I've shot/edited in the Making Mr. Plastimime series. I shot this footage in the Slovak Radio auditorium a couple of weeks ago during the 5 hour recording session with the Bratislava Symphony Orchestra.

This was certainly one of the most enjoyable days work I've had in a long while. It was really inspirational to be down amongst these incredible musicians and also up in the control room to witness the scoring/recording process first-hand.

The edit for this four and a half minute video took a few days, because I used a separate audio recorded to capture the orchestra sound (for better quality) and had a lot of footage to sync. up in post.

Bratislava Bound

Last Friday I had a somewhat interesting day out! I was invited by Daniel Greaves (TANDEM films) to accompany him on a trip to Slovakia to record the score for his new short film Mr. Plastimime.

The Slovak Radio building in Bratislava

The Bratislava Radio building is an immense up-turned pyramid building of early '80s vintage. It's a daring futuristic design and I really love it. Inside, there are miles of gloomy 'widescreen' corridors with concrete panelling everywhere. The auditorium was especially impressive, with an immense pipe organ taking up the entire wall behind the stage.

Composer Mike MacLennan records the piano parts for his score for Mr. Plastimime

Dan was there to supervise the recording of his film's score as composed by Mike MacLennan (Mcasso music). Mike Connaris (composer and MD of Mcasso who wrote the closing song used in the film) also attended the session. The mighty Bratislava Symphony Orchestra was conducted by Musical Director David Hernando Rico.

The Bratislava Symphony Orchestra in full effect.

My role was to document the occasion and make another Behind The Scenes video; the seventh episode in the Making Mr.Plastimime series of videos I've been making over the last year or so.

The incredible musicians of the BSO at the recording session.

I wanted to travel light (Ryan Air cabin luggage only!) and be able to move around stealthily, so I took a small bag with my Canon 600D DSLR camera, 3 lenses (11-16mm wide zoom, 30mm and 50mm) , Rode Video Mic Pro microphone and a Tascam DR-07 mkII audio recorder. I also took a Manfrotto monopod, with a small pan/tilt head and some additional monopod legs too.

I'm editing the orchestra footage this week and I think this is going to be a good episode and quite a bit longer than the previous ones. I hope I will eventually be able to share this new film at a later date , but in the meantime here I'm sharing a few stills from the session. 

Most of the previous videos I've made in this series are now publicly available online on TANDEM's Vimeo page. Here are the first 6 episodes of the Making Mr. Plastimime series.

The Simon's Cat Story

Here's another short online film I've just put together for Simon's Cat Ltd. The awesomely- talented Simon Tofield talks us through his life story, his love of drawing and the growing success of his Simon's Cat cartoons.

Simon tells us his story through his narration and his own drawings, this video includes clips from his animated films and examples of his childhood artwork too.

The voice was recorded first, then edited down in Adobe Premiere. For the 'speed drawings' we screen-recorded Simon drawing into Adobe Flash. These recordings were then re-timed and edited in After effects. Camera moves and transitions were then used to build up the story.

The Simon's Cat music and the final sound mix are by Russell Pay (aka Shrooty.)

'Gromit Unleashed' Film for Simon's Cat

Here's a new video I've just shot/edited for Simon's Cat Ltd. Here, Simon Tofield is seen bringing his unique illustration talents to bear on a gigantic fibreglass Gromit sculpture in aid of the 'Gromit Unleashed' campaign.

Enfield, My Kinda Town

Over the last couple of years I've been shooting super 8 film around my home town; the North London suburb of Enfield. I was greatly inspired by the 1960s-1980s travelogue films of Harold Baim and it seemed fitting to use real cine film to get this sun-tinted, picture postcard look.

Tech Notes: This film was shot on Kodak 100D reversal super 8 film. I shot five rolls between 2011 and 2013. This was shot on my Nizo 156XL camera using a Panasonic LA7200 anamorphic lens adaptor to achieve the 16x9 footage. The film was sent to Andec Filmtechnik in Berlin for processing then to 18-frames.com for cine to data HD transfer.

DVD 'Extras' for Simon's Cat Ltd.

As of today, YouTube phenomenon Simon's Cat is now available for the first time for purchase as a DVD release. The DVD Das Beste von Simon's Cat has received its first distribution in Germany and is available from Amazon.de as well as other good retailers of course.

Simon's Cat is the creation of Simon Tofield, the UK-based animator whom I've had the pleasure of working with for several years now. The DVD includes all 23 of the Simon's Cat animated short films and inevitably quite a bit of 'DVD Extra' content.

I am proud to say that I've Directed/Edited the extra video content on this DVD release, that's 12 episodes (12x3:00) of Simon's drawing tutorials Simon Draws, the 5 minute documentary Simon Talks and a charming 2 minute photo montage Simon's Real Cats. Much of this video content is exclusive to the DVD release and not available on the web, so order your copy now!

The Myth of Public Domain Films

Well, I'm currently researching a documentary film project about an old cinema (more of this to follow no doubt) and interested in finding some clips from feature films made between 1930 and 1970. Of course, I'm making this film off my own meagre dollar and looking for clips that I can use legally in my production for very few £££s.

My internet research dallied for a while in the realm of 'Public Domain' footage. Here's a Wikipedia page all about it including a list of films claimed to be in the Public Domain and supposedly not covered by copyright. One can even download most of these films and many others besides at the Internet Archive site.

It seems that the films on these 'Public Domain' lists are mostly ones in which the copyright wasn't renewed by the producers 28 years after the release dates of the films. For a while under US law, it seems that the non-renewal of copyright meant the films would fall into Public Domain use. Even under UK law, as recently as the 1988 Copyright Act, it seems that copyright on films had a 50 year expiry after the release date of the film.

For my project, this seemed ideal; Hollywood films from bygone days that I could cut up and integrate into my project... until I dug a little deeper....

Here's the catch... seems that UK law is quite different from US law on this subject and has changed very much for the worse. Nowadays, UK-based film-makers wont be able to source any film material this way at all, thanks to the 1996 Harmonisation of Copyright amendment to the 1988 Copyright Act. It seems that copyright of old films doesn't just fall away after fifty years of the film's release any more, oh no...

If you want to use old films, you now need to wait 70 years (until the end of the year) the director, producer AND writer of the film have all died! Effectively this legislation prohibits use of any extant old film footage in modern productions for way into the future. Not only that, but our film-making descendants will have a hell of a job working out the copyright status of any given film without finding the death dates of all the writers, directors, producers involved... Frequently, this will require extensive research into a huge list of hard-to track down characters. In short, the time period is too long to be of any creative use, and the multiple death-date system sets up a whole heap of trouble for the future. If a law was ever an ass, here it is.

By 1996 when this amendment to UK law came in, many old films had already out-lived the 50 year copyright period. Any film released prior to 1946 would have been available, plus all of those exceptional cases on the US lists too. The 1996 amendment has retrospectively over-ridden all of this; snatching back what was already out and kicking the rest into the very long grass.