Out Shooting With the Canon C100

Vet Emily Billings, Simon Tofield and me (Chris Gavin) with the C100 camera. Photo by Emma Burch.

Last week I was out for the day shooting for Simon's Cat Ltd. The plan was to follow Simon's Cat creator Simon Tofield on a visit to the Cats Protection Headquarters in Sussex. The visit has been documented already on the official Simon's Cat website.

I travelled with Simon and producer Emma Burch by train to Haywards Heath, and we spent a good day being shown around the site and meeting the very dedicated staff there.

My role was to shoot documentary material there which will appear shortly as an online video. I knew we would need to be pretty nimble at the location and we would be shooting some interviews too, so I took along a rented Canon C100 camera and not too much other gear. I needed a very portable system for one-man shooting and capturing usable audio too.

This was my first time out with the C100 and I really enjoyed using it, especially compared to using DSLRs like my Canon 600D. We hired the C100, the 24-105/2.8L Canon zoom lens and a Senheiser lav radio mic kit from Cameraworks.

I ended up shooting everything with my Manfrotto 561BHDV-1 monopod. I find this one (with its tiny fold-out feet) gives pretty good stability while being quick to deploy and move around for this kind of rapid shot-getting. The Canon 24-105 zoom lens turned out to be a real time-saver too, so I never did use the tripod or three other lenses I brought with me 'just in case'.

The camera turned out to be a real star. It was possible to get good pictures under difficult indoors and subdued lighting conditions: having proper tools to monitor focus and audio whilst recording was such a joy too. I'll certainly be using one of these again soon.

Making GREY AREA 'Animation Tests'

Here's the fourth webisode of the Making Grey Area series of short documentaries I've been shooting/editing/directing for TANDEM Films. In this clip we see animator Steve Edge shooting some of the first stop-motion animation tests for Daniel Greaves' new film.

Making GREY AREA 'Mime Artist Shoot'

Here's the third webisode in the Making Grey Area series I'm making for TANDEM films. In this episode mime artist Stuart Luis came into the TANDEM studio; the footage recorded in this session will provide valuable reference material for director Dan Greaves and his animation team.

Making GREY AREA 'Model Making'

Here's the second webisode in the Making Grey Area series I'm making for TANDEM films. In this episode we see animator Steve Edge creating a puppet to be used for stop-frame animation.

I shot this on my Canon 600D camera and edited it on an iMac using Adobe CS6 (Premiere and After Effects). The last shot of the model features a rather pleasing circular camera track; this was shot using a DIY tabletop camera dolly I made last weekend.

Making GREY AREA 'First Sketches'

In my day job at TANDEM films, I've been asked to make some BTS (Behind The Scenes) videos following the production of Grey Area; the next animated short film from Oscar-winning Director Daniel Greaves. We've decided to create some short online episodes giving our web followers some bite-sized glimpses into the production stages as they happen.

I've worked on Dan's films before, but it's been nice to be asked this time to help document and publicise this one as it happens. The Making GREY AREA films will be published to the TANDEM Vimeo site and be shared via the Grey Area Facebook page.



The first of the Making GREY AREA films is called 'First Sketches' and has just been published. It's a little 1 minute film showing Dan Greaves at work sketching some of his early character designs.

I shot this on my Canon 600D camera and edited it on an iMac using Adobe CS6 (Premiere and After Effects). The music is a haunting piece of tango called Gretchen's Tango by Ergo Phizmiz. It goes really well with the mood and subject matter of Dan's film and I can recommend a visit to Ergo's website to discover more of his work.

Fun with EL wire

I bought a piece of EL (Electro Luminescent) wire earlier this year, one of those odd spur of the moment purchases. Who knows, this might come in useful for something one day?

Anyway, it's a plasticized wire about a metre long and 2mm in diameter that glows when AC current is passed through it... (A small converter box steps up the power from a battery to the required higher voltage AC current to drive the EL wire.)

The effect is something like neon, yet the material is flexible too. When photographed, it can also look a lot like those light trail long exposures people make with torches...

Here are a few photos I've just taken working late in the lab tonight. These were all taken with the Canon 600D camera and Canon 50mm f1.4 lens. The fourth, close-up one was taken with this lens too, but also with a cheap macro tube mounted between the lens and the camera.

Full Moon Photo

Well it's a big old moon tonight. This photo was taken tonight with my dad's old 150m lens (Pentax M42 screw fit) & his x2 Teleconverter adaptor attached to my Canon 600D.

Technicolor Cinestyle for Canon DSLRs

I was out shooting some tests with the new Canon 600D DSLR camera this weekend. I'm pitching on a project with an idea to use both the stills and HD movies functions of this camera combined.



I shot the movie tests using the recently-announced Technicolor CineStyle colour profile.

CineStyle is available as a free download for the Canon DSLR users. You install the software to your camera using the Canon Photo Professional software as one of your preference profiles, then shoot your movies using this setting. The results are dull-looking and initially unimpressive; but the theory is that with this setting, there will be much-increased dynamic range retained in the images. The idea here is to shoot the best most versatile footage, then use the increased range to grade it later in post to achieve the desired look.

Here's one of my early test shots. This clip shows (with lots of YouTube compression of course) a clip shot with the Technicolor CineStyle profile... dull and grey looking. The clip was then brought into Adobe After Effects CS3 for some saturation and curves.



Initial tests are positive, I'll hopefully be able to post some further examples and more findings here soon. I've only had this camera since Friday, but I'm hugely impressed with what it can do already.